bauldoff:

MakingOf has posted a video clip of the Up In The Air film title sequence, created by Shadowplay Studio. Shadowplay was also behind the titles to Jason Reitman’s Juno and Thank You For Smoking films.
In this interview, Reitman said this about collecting the aerial footage seen in the titles:
(Shadowplay) came up with this idea of vintage moving postcards, the most complicated element of which was getting this aerial footage that seems like film. I figured you put a camera in a plane, you put it up in the air, you point down, you get aerial footage, right? I really thought it would be that simple. It was so complicated. Every time you see aerial footage in a movie it’s from a helicopter at 12,000 ft. To get it from 25,000 ft, first we went up with a jet and we had a camera that was going through this bubble system, except the optics weren’t good enough and atmosphere was giving us trouble. Then we went up with a propeller plane and the pilot had to wear an oxygen mask to get up that high; we took a camera out on a wing, we went digital instead of film, and then the camera would not go straight down, so they’d have to put the plane into a dive to get the camera to go down. I mean it was just like unreal how hard it was to get this footage. But I’m really happy with the results and of course it made for fun opening titles.
Additionally, Apple has a short featurette about Shadowplay and the Up In The Air titles.

bauldoff:


MakingOf has posted a video clip of the Up In The Air film title sequence, created by Shadowplay Studio. Shadowplay was also behind the titles to Jason Reitman’s Juno and Thank You For Smoking films.

In this interview, Reitman said this about collecting the aerial footage seen in the titles:

(Shadowplay) came up with this idea of vintage moving postcards, the most complicated element of which was getting this aerial footage that seems like film. I figured you put a camera in a plane, you put it up in the air, you point down, you get aerial footage, right? I really thought it would be that simple. It was so complicated. Every time you see aerial footage in a movie it’s from a helicopter at 12,000 ft. To get it from 25,000 ft, first we went up with a jet and we had a camera that was going through this bubble system, except the optics weren’t good enough and atmosphere was giving us trouble. Then we went up with a propeller plane and the pilot had to wear an oxygen mask to get up that high; we took a camera out on a wing, we went digital instead of film, and then the camera would not go straight down, so they’d have to put the plane into a dive to get the camera to go down. I mean it was just like unreal how hard it was to get this footage. But I’m really happy with the results and of course it made for fun opening titles.

Additionally, Apple has a short featurette about Shadowplay and the Up In The Air titles.

03/26/10 at 11:03am
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  12. tonyme reblogged this from bauldoff and added:
    weekend and ADORED...title sequence. Delicious type.
  13. heroin-e reblogged this from bauldoff and added:
    MY FAVOURITE OPENING SEQUENCE EVERRRRRRRRRRRRR words cannot even begin
  14. thehighroad reblogged this from bauldoff
  15. teslacake reblogged this from bauldoff and added:
    ま-ま(so-so) but...intro credits were great!
  16. mastercontrol reblogged this from bauldoff
  17. abstractoctopus reblogged this from matthewb and added:
    lot sadder than I thought it was going to be. LOVED
  18. artsy-dartsy reblogged this from bauldoff
  19. prehumous reblogged this from mxvltr
  20. staninamedalla reblogged this from hardgraft
  21. fancier reblogged this from inothernews and added:
    the site two if by see has video of the titles.
  22. iamatypo reblogged this from binkythedoormat and added:
    Direção de arte da abertura Classe A, o filme legalzinho.
  23. heathersten reblogged this from jesuisperdu and added:
    Air. Good film too.
  24. libraryatsea reblogged this from jesuisperdu